视觉维度上的《朝花夕拾》

On the Visual Dimension of LuXun’s Dawn Blossoms Plucked at Dusk

《朝花夕拾》解读历史中的视觉化问题并未受到应有的重视,少数几篇研究文章主要把目光集中在“幻灯片事件”上——作为鲁迅最初思想转型焦点的“幻灯片事件”,虽然可以引导一种视觉维度上的论析,但仍显单薄。《朝花夕拾》诸篇所涉及的视觉化图幅一方面可以解读出鲁迅“立人”思想脉络的形成过程以及“主体性建构”的核心诉求,另一方面亦可从图文互文的文本形态中发掘出鲁迅精神层面存在的现实与理想、自我与他者、闲静与纷扰的对立与冲突。要之,《朝花夕拾》视觉维度上的研究并不纯粹是藉由文字对图像进行意义阐释,亦不是经由图像对文字所述及的思想进行直观呈现。事实上,这两者之间的互释、映衬、对话所获致的信息增殖才是重中之重,仍然存在着深入挖掘的空间。

The issue of visualization in the history of interpretation of Lu Xun’s Dawn Blossoms Plucked at Dusk has not received due attention,and a few research with the analysis in a visual dimension onlyfocused on the"slide incident"-the focus of his initial ideological transformation.The analysis of the Dawn Blossoms Plucked at Dusk,from the visual dimension,on the one hand,can see Lu Xun’s consistent pursuit of subjectivity construction,on the other hand,it highlights the contradiction and conflict of deep spiritual structure behind the text form of graphic intertextuality.To sum up,the research on the visual dimension is not purely to interpret the picturesthrough words,nor to intuitively present the ideas described by words through pictures.In fact,the information accumulated from their mutual interpretation,contrast and dialogue is the most important,which is worthy for further exploration.