2Barrett, F. S. , Grimm, K. J. , Robins, R. W. , Wildschut, T. , Sedikides, C. , & Janata, P. (2010). Music-evoked nostalgia: Affect, mem- ory, and personality. Emotion, 10, 390-403.
3Blood, A. J. , & Zatorre, R. J. (2001). Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences of the United States of America, 98, 11818--11823.
4Brattico, E. , & Pearce, M. ( 2013 ). The neuroaesthetics of music. Psychology of Aesthetics, Creativity, and the Arts, 7 ( 1 ) , 48---61.
5Brown, C. J. , Chen, A. C. N. , & Dworkin, S. F. (1989). Music in the control of human pain. Music Therapy, 8, 47-60.
6Chamorro-Premuzic, T. , & Furnham, A. (2007). Personality and music: Can traits explain how people use music in everyday life? British Jour- nal of Psychology, 98, 175--185.
7Christenson, P. G. , & Peterson, J. B. (1988). Genre and gender in the structure of music preferences. Communication Research, 15, 282- 301.
8d' Errico, F. , Henshilwood, C. , Lawson, G. , Vanhaeren, M. , Tillier, A. M. , Soressi, M. , et al. (2003). Archaeological evidence for the emergence of language, symbolism, and music--An ahernative muhidisciplinary perspective. Journal of World Prehistory, 17, 1--70.
9Dollinger, S. J. (1993). Research note: Personality and music preference: Extraversion and excitement seeking or openness to experience? Psy- chology of Music, 21,73--77.
10Eerola, T. , & Vuoskoski, J. K. (2011 ). A comparison of the discrete and dimensional models of emotion in music. Psychology of Music, 39, 18-49.