现代潮绣设计的图式呈现与符号语义——以孙庆先“金龙鱼”系列潮绣作品为例

Schema presentation and symbolic semantics of modern Chaozhou Embroidery design:taking Sun Qingxian’s“Golden Dragon Fish”series of Chaozhou Embroidery works as an example

潮绣是中国四大名绣之一—粤绣的一个分支,也是潮汕地区独具审美特色的刺绣品种,图式结构、符号语义都具有鲜明、浓郁的地方特色,是潮汕本土文化和多种文化交流发展的典型案例。在国家大力倡导保护和传承非遗文化的当下,文章以文献学、图像学和田野调查为主要方法,在探究传统潮绣图式呈现和符号语义与宗教信仰、佛教传说、历史典故、民间故事相互关系的基础上,多角度剖析现代潮绣创新设计的图式呈现、变革以及符号语义拓展与社会经济、文化发展的关系,探索现代潮绣创新设计与社会生活发展融合的可行性,为推动潮绣向现代化、市场化发展提供可参考的理论依据以及创新设计实践的可行性路径。

Chaozhou Embroidery is a branch of Guangdong Embroidery,one of the four famous embroideries in China,and it is also an embroidery variety with unique aesthetic characteristics in Chaoshan area.Both the schematic structure and symbolic semantics have distinctive and strong local characteristics,and it is a typical case of the exchange development of Chaoshan local culture and various cultures.At the moment when the country vigorously advocates and protects intangible cultural heritage,this paper uses philology,iconology and field research as the main methods,explores the relationship between the schema presentation and the symbolic semantics of traditional Chaozhou Embroidery and religious beliefs,Buddhist legends,historical allusions,and folk stories,and analyzes the relationship between the presentation and transformation of modern Chaozhou Embroidery innovative design,as well as the expansion of the symbolic semantics and social economy and cultural development from multiple perspectives,explores the feasibility of the integration of modern Chaozhou Embroidery innovative design and social life development,in order to provide a theoretical basis for reference and a feasible path for innovative design practice to promote the modernization and marketization of Chaozhou Embroidery.