图与式:图像考据视角下的明代建筑“装折”

Image and Schemas:"Cabinetwork"of Ming Dynasty Architecture from the Perspective of Image Textual Research

文章以图像资料为切入点,在厘清“装折”这一基本概念的基础上,从计成《园冶》中的图式到明代繁荣的木刻版画,比较并总结了明代木构建筑“装折”营建的“法”与“式”;同时,图像作为信息传播的一种媒介,呈现出了自明至清一脉相传的程式化倾向,以及现实与媒介自身的矛盾与博弈。

The article uses image data as the starting point,and on the basis of clarifying the basic concept of"Cabinetwork",from the schema in Ji Cheng’s"Yuan Ye"to the prosperous woodblock prints of the Ming Dynasty,compares and summarizes the wooden architecture of the Ming Dynasty.The"law"and"Schemas"created by"Cabinetwork";at the same time,images,as a medium of information dissemination,present a stylized tendency passed down in one continuous line from Ming to Qing,as well as the contradiction and game between reality and the media itself.