摘要
20世纪初,在中西方文化交流的时代背景下,牡丹与搪瓷这一新式载体发生邂逅,牡丹的图案、色彩以及构图在搪瓷上都有了新的呈现。在搪瓷制品的牡丹图案装饰中,唯独青睐朵花造型,牡丹图案色彩运用对比强烈的“红配绿”配色,构图多运用中国画的边角构图法。同时牡丹作为一种“宜乎众”的装饰图案,无论是在传统日常生活还是在现代日常生活特别是“瓷器时代”,都走进了大众视野并扮演了重要角色。其重要性在于牡丹图案自身所承载的普遍性的价值——对美好生活和美好爱情的向往,正是基于这一点,诞生了“搪瓷—牡丹”新的形式的联结。作为一个兼具功能与装饰的新形式,“搪瓷—牡丹”在中国现代日常生活中发挥了重要作用。
At the beginning of the 20th century,under the background of cultural exchanges between China and the West,peony and enamel,a new carrier,met each other.The patterns,colors and composition of peony were all presented in enamel.In the peony pattern decoration of enamel products,only the flower shape is favored.The peony pattern color uses the contrasting"red with green"color matching,and the composition mostly uses the corner composition of Chinese painting.At the same time,as a decorative pattern"suitable for the public",peony has entered the public’s vision and played an important role in both traditional daily life and modern daily life,especially in the"porcelain age".Its importance lies in the universal value of the peony pattern itself-the yearning for a better life and a better love.It is precisely on this basis that a new form of connection of"enamel peony"was born.As a new form with both functions and decoration,"enamel peony"has played an important role in China’s modern daily life.
作者
杜蒙召
孙洪伟
DU Meng-zhao;SUN Hong-wei(School of Art and Design,Qilu University of Technology,Jinan,Shandong,250353)
出处
《湖南包装》
2022年第6期50-52,68,共4页
基金
国家社科基金艺术学项目青年项目(17CG206)。