摘要
原始神话以意象的方式充溢于《诗经》之中,具体可分为高禖神/社神、高唐神女、汉水女神、田祖、牛郎、大禹、后稷、商契、岳神、旱魃、植物、动物神话意象,它们分别来源于创生神话、女神神话、自然神话等。由于神话自身的因素以及文学活动的“自主选择”,这些神话意象以直接化用或间接转用的方式援引入诗,并在诗歌中发挥其独特的功能:一是增添浪漫主义气息,二是丰厚诗歌史蕴。
Primitive myths with the form of images are filled into The Book of Songs, which can be concretely divided into Gaomei God/Land God, Gaotang Goddess, Hanshui Goddess, Tianzu, Niulang, Dayu, Houji, Shangqi, Yue God, Drought Devil, Plants and Animals, and they respectively come from creation mythology, goddess myths and natural myths, etc. Due to the factors of mythology itself and the “independent selection” of literary activities, these mythological images are quoted into poetry by means of direct or indirect conversion, and play their unique functions in poetry, one is to add romanticism and the other is to enrich the poetic history.
作者
徐紫云
张明梅
XU Ziyun;ZHANG Mingmei(School of Humanities and Social Sciences,East China Jiaotong University,Nanchang 330001,China)
出处
《长春大学学报》
2023年第1期54-59,共6页
Journal of Changchun University
基金
江西省社会科学规划项目(20WX09)
江西省高校人文社会科学研究项目(ZGW17103)。
关键词
《诗经》
神话
意象
The Book of Songs
mythology
images