摘要
以20世纪90年代以来中国航空题材影视剧为研究对象,从叙事学的角度挖掘其不同文本中存在的普遍特征:个人型、集体型,并分别对两个类型中的人物形象、故事结构、人物关系等方面进行分析和归纳。在个人型叙事模式建构中,不同的文本中人物塑造总是在进行某种类似“偶然性的导演理解对象”,导演的话语则被“导向自身直观的指称意义”;在集体型叙事模式建构中,则更明显地表现出一种意图:树立集体意识及民族自信。中国航空题材影视剧通过独特的叙事方法与艺术表现形式,使得文本兼具时代性、审美性和娱乐性,同时也成为一种经典的影视剧类型。
Taking Chinese aviation films and TV dramas since the 1990s as the research object,this paper explores the common characteristics of different texts from the perspective of narratology,such as individual type and collective type,and analyzes and summarizes the character image,story structure and character relationship of the two types respectively.It is concluded that in the construction of individual narrative mode,the characterization in different texts is always carrying out something similar to the"accidental understanding object of the director",and the director′s words are"guided to their own intuitive referential meaning".However,in the construction of collective narrative mode,the intention is more obvious:to establish collective consciousness and national confidence.Through the analysis of the two modes,it is concluded that Chinese aviation films and TV dramas,through their unique narrative methods and artistic expression forms,make the text not only contemporary,aesthetic and entertaining,but also become a classic type of films and TV dramas.
作者
吴丹
WU Dan(School of Humanities,Xi′an Aeronautical Insititute,Xi′an 710000,China)
出处
《西安航空学院学报》
2022年第6期79-83,88,共6页
Journal of Xi’an Aeronautical Institute
关键词
航空
影视剧
叙事模式
建构
aviation
film and television drama
narrative mode
construction