中国音乐人类学研究回顾与展望

Review and Prospect of Chinese Music Anthropology

音乐人类学(Ethnomusicology)自20世纪80年代从国外引入以来,迅速变成了国内音乐学术领域所积极讨论和研究的热门学科。以中国知网(CNKI)数据库内主题涵盖有“音乐人类学”字眼的期刊论文作为研究样本和数据,以文献计量学为研究方法,利用可视化分析软件——CiteSpace,对中国音乐人类学研究进行可视化分析,发现当前中国音乐人类学研究正处于一个新的迷茫时期,只有坚持问题导向,增强文化自觉自信,提炼中国音乐精神标识,挖掘利用本土资源,深化领域研究合作,才能更好地构建中国特色的音乐人类学研究话语体系,加速我国音乐人类学研究的进程。

Since the introduction of ethnomusicology from abroad in the 1980s, it has quickly become a hot subject under active discussion and research in the domestic music academic field. Taking the journal papers with the topic of “music anthropology” in CNKI database as the research samples and data, using the bibliometrics as the research method, and using the visualization analysis software—CiteSpace, this paper makes a visual analysis of “40 years of Chinese music anthropology”. It is found that the current research of Chinese music anthropology is in a new confused period. Only by adhering to the problem orientation, enhancing cultural self-consciousness and self-confidence, refining the spirit of Chinese music, mining and utilizing local resources,deepening research cooperation in the field, can we better construct the discourse system of music anthropology research with Chinese characteristics and accelerate the research process of Chinese music anthropology.