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冷战下的生育焦虑和家庭:欧茨小说《奇境》中的阈限性与美国神话

Fertility Anxiety and Family in the Cold War:Liminality and American Myth in Joyce Carol Oates’s Wonderland
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摘要 冷战期间,生育和家庭成为美国维系资本主义优越性及国家神话的对内策略。此时,《奇境》中的母亲海伦困于个人生育焦虑与社会生育焦虑之间,落入阈限的境地;作为生育焦虑产物的谢莉则竭力挣脱掌控,成为“失控的孩子”和阈限的一代。她们的阈限经历表明,政府在工具理性下忽视人性和个人经验,妄图维系美国神话的企图终将落败,继而引发无尽的混沌。小说结局则暗示,在这样的阈限真空之中,唯有对话和反思才能避免悲剧的发生,这也昭示着欧茨对沟通的呼吁和对人性的呼唤。 During the Cold War, fertility and family became an internal strategy for the U.S. to maintain its myth of capitalist superiority. In this situation, Helen, the mother in Wonderland, falls into a liminal situation as she wanders between personal fertility anxiety and that of the society. On the other hand, the product of fertility anxiety,Shelley, tries to break away from social control, ending as a “runaway child” and liminal entity. Their liminal experiences indicate that the government’s attempt to maintain the American myth by ignoring human nature and individual experience under instrumental rationality would end up in failure and chaos. The ending of the novel suggests that in such liminality, only through dialogue and ref lection could the tragedy be averted, which signals Oates’ s call for communication and humanity.
作者 向瑶 刘立辉 Xiang Yao;Liu Lihui(College of International Studies in Southwest University,Chongqing,China,400715)
出处 《当代外国文学》 CSSCI 北大核心 2022年第4期34-41,共8页 Contemporary Foreign Literature
基金 西南大学中央高校基本科研业务费专项资金项目“欧美文学的前沿性研究”(SWU1709121)的阶段性成果。
关键词 《奇境》 生育焦虑 家庭 阈限性 Wonderland fertility anxiety family liminality
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  • 1汪海如.人生的探索,艰难的历程──读欧茨的小说《奇境》[J].解放军外国语学院学报,1996,19(6):72-76. 被引量:6
  • 2Jay Parini, "My Writing Is Full of Lives I Might Have Led," in Lee Milazzo ed., Conversations with Joyce Carol Oates, Jackson & London: UP of Mississippi,1989, p. 155.
  • 3[3][11][17][20]Walter Clemens, "Joyce Carol Oates:Love and Violence," ed. Lee Milazzo, p. 39, 39,69, 39, 35.
  • 4引自欧茨1973年所作<孤立艺术家的神话>(The Myth of the Isolated Artist),这篇文章是欧茨过渡期的一篇重要文论,下文将对其中的主要论点作详尽介绍和评论.欧茨在<新天地>(NewHeaven,New Earth 1974)论文集中把西方文化中极端的个人主义自我意识称作"文艺复兴理念及其‘我'性('I'-ness)使人堕落的古老地狱".她认为,"这种非常男性化、斗志昂扬的理想将一个‘我'同其他的‘我'对立起来--也将其同自然对立起来--这在人类文明的某个时期有助于把人从以上帝为中心的神秘宇宙观中解脱出来,让他积极行动起来,但是它现在已经没有了存在的必要,它的健康成了值得研究的病理问题,仍然死死抓住这些陈旧过时观念不放的人必死无疑."Joyce Carol Oates,New Heaven,New Earth: The Visionary Experience in Literature,New York: Vanguard, 1974, p. 119.
  • 5Joyce Carol Oates, Wonderland, New York: Vanguard, 1971, p. 512.
  • 6Joyce Carol Oates, Wonderland, Greenwich, Conn.:Fawcett, 1973, p. 479.
  • 7[12]Greg Johnson, Understanding Joyce Carol Oates,Columbia, S.C.: U of South Carolina P, 1987, p.137, 140.
  • 8Joanne V. Creighton, Joyce Carol Oates, Boston:Twayne, 1979, p.79.
  • 9施咸荣:<乔伊斯@卡洛尔@欧茨的创作>,载钱满素编:<美国当代小说家论>,北京:中国社会科学出版社,1987年,第261页.
  • 10Joe David Bellamy, "The Dark Lady of American Letters ," Atlantic Monthly, February, p. 23.

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