观演行动矫形术:沉浸式剧场观演权利差异化现象研究

Orthopedics of Audience Action: A Research on the Differentiation of Audience Rights in Immersive Theatre

在沉浸式剧场“观演行动矫形术”的操控下,沉浸式戏剧创作者赋予观众的差异化观演权利与观众观演行动本体论意义上的“否定性”形成既相互对峙又彼此依附的辩证关系。沉浸式剧场观众在接受差异化观演权利机制的同时,也在应允相应的权利让渡,在否定创作者设立的选择边界时,也在改写创作者植入的干预边界。沉浸式剧场“观演行动矫形术”始终处于不断自我调试的弹性生长空间。沉浸式剧场观众差异化观演行动背后的主体建构力既是沉浸式剧场价值的独特生产方式,亦是其生产价值本身。

Under the control of orthopedics of audience action in immersive theatre, the differentiated audience rights given by the immersive theatre creators and the “negation” of audience action in the ontological sense have formed dialectical relations of confrontation and attachment. While accepting the differentiated audience rights, the audience of immersive theatre allow that some of their rights concerned be transferred;while resisting the choice boundaries set by the creators, they rewrite the intervention means implanted by them. There exists an elastic space of growth for continuous adjustment of the “orthopedics” in immersive theatre. The subject construction ability of the differentiated audience action in immersive theatre comes from not only the unique production mode of immersive theatre, but also its own production value.