“拟像—造像—虚像”数字影像艺术创作主体和形式的转译

The Translation of the Subject and Form of Digital Image Art Creation in Simulacra-Statue-Virtual Image

数字影像艺术创作随着媒介的不断变化,其主体和形式也在不断嬗变。传统媒介时代语境下,以“拟像”为表征的符号化场景是摄影艺术创作的重要手段;数字媒体时代下艺术家开始采用数字影像技术进行三维“造像”;元宇宙的虚拟世界中,现实以多维“虚像”的形式再现。基于不同时代语境的嬗变,影像传播媒介经历了“纸媒—电视—网络—数字媒体—元宇宙”这一迭代过程。在数字传播媒介中,影像艺术创作经历了从二维平面影像到数字视频及影像装置,再到数字三维艺术造像的多元化手法。运用数字技术设计虚拟数字影像,越来越广泛地应用于影像创作。数字影像创作的主体和形式在媒介语境和信息技术的变化下发生着主体和形式的转译。

With the continuous change of the media, the subject and form of digital image art creation are constantly changing. In the context of the traditional media era, the symbolic scene represented by "simulacra" is an important means of photography art creation. In the era of digital media, artists began to use digital image technology to create three-dimensional "images" to shape the image content. Today, when the concept of metauniverse is put forward, the real world reappears in the form of multi-dimensional "virtual images". Based on the evolution of the context of different times, the image media has experienced the iterative process of "print mediatelevision-network-digital media-meta-universe". In digital media, image art creation has experienced a variety of techniques from two-dimensional plane images to non-linear editing in the later stage of digitization, and then to digital three-dimensional art images. The use of digital technology for virtual digital image creation is more and more widely used in the image art creation of today’s era. Under the background of this digital age, the subject and form of digital image art creation are translated under the changes of media context and information technology.