解构与建构——试论王怀庆绘画中线条在空间的呈现与方式

Deconstruction and Construction: On the Presentation and Way of Lines in Wang Huaiqing’s Paintings in Space

解构概念源于海德格尔《存在与时间》中的“deconstruction”一词,原意为拆解、消解、分解等。建构是指在已有的文本上,构筑起一个分析系统,去拆解文本背后的因由。王怀庆拆解物象重组,构建新的空间秩序,画面构架与线条构成赋予作品张力,传达出沧桑厚重的文化感。这些被拆解的结构被抽象为线条的形式,在画面空间中起着重要作用,线条被打散又重组起来在空间中呈现,作为绘画中造型和表情达意的重要因素,值得深讨。

The concept of deconstruction is derived from the word "deconstruction" in Heidegger’s "Being and Time", and its original meaning is decomposition, dissolution, dismantling, etc. Construction refers to building an analysis system on the existing text to disassemble the reasons behind the text. Wang Huaiqing disassembled the objects and reorganized them to construct a new spatial order. The frame of the picture and the composition of the lines impart tension to the work and convey a profound cultural sense of the vicissitudes of life. These disassembled structures are abstracted into the form of lines, which play an important role in the painting space. The lines are broken up and reorganized and presented in the space. As an important factor in the modeling and expression of the painting, it is worthy of deep discussion.