东渡日本的隐元家具研究

Research on Yinyuan Furniture from East to Japan

本文从研究东渡日本的隐元家具的殊胜因缘谈起,结合《黄檗冠字考》《隐元冠字考》这两部日本古籍的记载、图示,对福清黄檗山万福寺、黄檗书院与三福古典家具公司项目组复制的隐元家具,按坐具、承具、庋具、架具、枕具、灯具等分类研究,阐释其风格、工艺与文化。它们的原型是日本黄檗宗大本山——京都黄檗山万福寺的重要器物,由此可折射中国家具对当时日本生活方式的引领,以及隐元禅师对日本佛教的影响。故而,隐元家具不仅是中日生活艺术的体现,还是两国僧侣宗教情怀的进一步呈现。从家具这一研究视角拓展,可继续延伸中日文化交流的路径与领域。

This paper starts from the study of the unique causes of the Yinyuan furniture from east to Japan,combined with the records and illustrations of the two Japanese ancient books Barberry Coronal Examination and Yinyuan Coronal Examination,this article takes Yinyuan furniture copied by the project team of Fuqing Huangberi Mountain Wanfu Temple,Huangberi Academy and Sanfu Classical Furniture Company as the research object,analyzes its seat,bearing,utensil,frame,pillow,and lamp,and interprets its style,crafts and culture.Their prototypes are important artifacts of the Wanfuji Temple of the Huangberizong Daimoto Mountain in Kyoto,which can reflect the lead of Chinese furniture to the Japanese way of life at that time,as well as the influence of the Zen master Yinyuan on Japanese Buddhism.Therefore,Yinyuan furniture is not only the embodiment of Chinese and Japanese art of life,but also a further manifestation of the religious feelings of monks in both countries.From the perspective of furniture research,it can continue to extend the path and field of Sino-Japanese cultural exchange.