非遗保护视域下民间美术的家族群体参与特质研究——以曹县戏文纸扎为例

On the Participation of Family Groups in Folk Art from the Perspective of Intangible Cultural Heritage——Taking the Example of Family Cooperation Mode of Opera Paper Binding in Cao County

民间美术作为民间文化系统中重要的视觉呈现部分,其制作与使用承载着区域民众对于本体文化的认知与认可。一项传承有序的民间美术技艺,是在千百年来得到区域民众广泛认同的基础上存世的,这也就意味着民间美术的创作承载着区域民众浓重的群体性参与特质。这其中,家族群体作为最基础的群体参与形态,在民间美术创作中占据了重要部分,家族成员间的协作参与模式也为民间美术的传承创新奠定了基础。本文以山东省菏泽市曹县戏文纸扎的考察为例,通过传承人的口述及纸扎作坊的家族协作形态调查,寄期对民间美术创作中家族群体协作的参与模式进行思考与探究。

Folk art is an important visual representation part of the folk culture system.Its production and use bear the cognition and recognition of the ontology culture by the regional people.An inheritance and orderly folk art technique has existed on the basis of the wide recognition of the regional people for thousands of years.This means that the creation of folk art carries the strong characteristic of group participation.Among the various kinds of groups,the family group as the most basic group participation form,plays an important part in the creation of folk art,and the cooperative participation mode among family members has also laid the foundation for the inheritance and innovation of folk art.This paper takes the investigation of the Cao County opera paper binding in Heze City,Shandong Province as an example.Through the narration of the inheritors and the investigation of the family collaboration form of the paper-making workshop,the paper discusses and explores the participation model of family group collaboration in folk art creation.