摘要
当代中国美学的建构主要是以马克思实践论为契机和背景的。马克思实践论的中国化发展了“实践”“积淀”与“游戏”的美学话语。当代中国的“实践派”美学是直接以马克思的“实践”概念而奠基的。李泽厚实践美学的“积淀”实现了对“实践”概念的儒家化话语转换。彭富春新道论美学的“游戏”则是将实践论道统化的话语建构。
The opportunity and background of the construction of contemporary Chinese aesthetics is mainly based on Marxist practical theory.The Sinicization of Marxist practical theory has developed the aesthetic discourse of“practice”,“accumulation”and“play”.The“Practice Group”of contemporary Chinese aesthetics is directly based on Marx’s concept of“practice”.Li Zehou’s practical aesthetics achieves a transform from the concept of“practice”to Confucianized discourse.The concept of“play”of Peng Fu-chun’s new Taoist aesthetics is a discoursive construction to systematize the Taoist practical theory.
作者
苟鸣春
Gou Mingchun(School of philosophy,Wuhan University,Wuhan,Hubei 430072)
出处
《哲学评论》
2022年第1期271-286,共16页
Wuda Philosophical Review
关键词
中国化
马克思实践论
实践美学
新道论美学
Sinicization
Marxist practical theory
aesthetics of practice
new Taoist aesthetics