摘要
李渔作为清代著名的创作者和理论家,他的“结构”理论对后来的戏曲写作影响深远。《李笠翁十种曲》中《巧团圆》一剧深刻贯彻了他的“结构”理论,基于此,从“脱窠臼”“密针线”“审虚实”三个部分阐述李渔“结构”理论在《巧团圆》中的体现。
Li Yu was a renowned creator and theorist in the Qing Dynasty, whose“structure”theory has exerted a profound effect on the composition of Chinese operas in succeeding generations. His “structure” theory is thoroughly implemented in Happy Reunion, one of the operas in Li Liweng’s Ten Kinds of Operas. Based on this, this paper expounds the embodiment of Li Yu’s“structure”theory in Happy Reunion from three parts:“breaking stereotypes”,“dense thread”, and “examining falsehood and reality”.
作者
完家睿
Wan Jiarui(Dramatic Writing Department,National Academy of Chinese Theatre Arts,Beijing 100073,China)
出处
《黄山学院学报》
2022年第6期81-85,共5页
Journal of Huangshan University
关键词
“脱窠臼”
“密针线”
“审虚实”
《巧团圆》
“breaking stereotypes”
“dense thread”
“examining falsehood and reality”
Happy Reunion
