摘要
长久以来,霍去病墓雕刻由于自然或人为原因被多次移位,其原始位置至今未得以确认。墓葬雕刻原境信息的缺失,是导致现有研究受限的主要原因。本文利用早期调查报告与近年的考古勘探资料,结合实地考察,对雕刻原始布局进行初步复原,探究雕刻与封土、周边环境的空间关系及雕刻间的组合关系,并讨论其意义,试图重构其历史情境。
The debates remain about the original arrangement of the stone sculptures standing in front of Huo Qubing’s grave mound that have been displaced many a time in history naturally or intentionally.So this thesis discusses the spatial relationship between the stone sculptures and the grave mound and the surroundings,and the assemblage of sculpture groups based on the earlier archaeological reports and the materials of recent years intending to relocate them each in the historical contexts.
出处
《故宫博物院院刊》
CSSCI
北大核心
2022年第12期69-82,141,共15页
Palace Museum Journal
关键词
霍去病墓
雕刻
原境
Huo Qubing’s grave mound
stone sculpture
original position