文旅融合背景下博物馆的戏剧实践——以故宫博物院为例

Dramaturgic Practice in The Interpretation to Museums’ Displays in The Culture-Tourism Context with The Case Study of The Palace Museum

20世纪70年代开始,西方博物馆尝试将戏剧元素纳入博物馆的诠释活动当中,随后这股戏剧浪潮很快波及西方各博物馆并以强大的生命力持续至今。博物馆戏剧实践是讲好文物故事、实现“让文物活起来”、传递历史文化精神、提升博物馆社会价值的有效途径之一,是新时代博物馆文化传播的重要方式。它是以博物馆藏品或历史为内容,以博物馆(建筑物、户外遗迹、古城小镇的博物馆化等)为空间,以博物馆观众为对象,运用戏剧手段及戏剧规律帮助博物馆进行文化传播与教育的一系列活动的总称。十多年来,故宫博物院秉持开放的胸怀,在确保学术严谨性的同时,强调人类历史文化遗产再现与活化的重要性,在多方面通过戏剧形式进行尝试,为博物馆宣传教育提供了有益经验。

Since the 1970s and the later,dramaturgic practice,covering a series of activities for cultural communication and education in form of theatrical performance in museums(a building,historical sites and towns,etc),first staged in a couple of western museums,now is playing actively in the interpretation to the objects in display of museums in the historical contexts.It acts as a means of communication for exhibitions of the new era in ‘telling stories about heritages’ and ‘revitalizing cultural relics’ to carry forward the traditional ethics and promote museums’ status in the society.The Palace museum as a model in the thesis is discussed and shared about his experience in the way.