摘要
龙泉青瓷烧制技艺经过北宋时期的技术积累,南宋时期达到巅峰,使得南宋龙泉青瓷造型的简洁朴拙与厚釉装饰的温润内敛集中到“类冰似玉”的审美欣赏范畴。玉之美诚如宗白华先生所描述“玉的美,即绚烂至极归于平淡的美。”又解释道“可以说,一切艺术的美,以至于人格的美,都趋向于玉的美,内部有光采,但是含蓄的光采,这种光采是极绚烂,又极平淡。”
The plastic stacking decoration process of Longquan Kiln in the Southern Song Dynasty also uses its complex techniques to shape the vivid animal forms such as dragons and tigers,which are decorated on utensils. Now, taking the Southern Song Tiger Bottle in Longquan Museum and the Southern Song Dragon Bottle in Zhejiang Museum as examples,this paper analyzes the characteristics of plastic stacking decoration process of Longquan Kiln in the Southern Song Dynasty, and summarizes the relationship between plastic stacking decoration process and material application, plastic stacking decoration process and thick glaze decoration.
出处
《上海工艺美术》
2022年第4期69-71,共3页
Shanghai Arts & Crafts