立体美学的延伸:立体书跨媒介视觉建构现象考察

The Extension of Stereoscopic Aesthetics:Study on the Phenomenon of Cross-Media Visual Construction of Pop-up Book

立体书独具匠心的立体结构设计和强烈的视觉冲击,有利于读者更加直观地理解书籍所要表达的思想,其设计本身还有启发读者创新思维的作用。近年来,立体书相继出现在国内外电影、电视等传播媒介中。从立体书探源出发,基于立体书这一艺术形式在非书籍类传播媒介中的应用案例,分析其文化意义与审美价值,探讨其实现跨媒介视觉建构,使其立体美学延伸发扬内在逻辑,以期从新角度为立体书研究提供一些值得关注的实证范例。

Because of its unique three-dimensional structure design and strong visual impact, pop-up books are not only conducive to readers’ more intuitive understanding of the ideas to be expressed in books, but also serve to inspire readers’ innovative thinking. In recent years, pop-up books have appeared in domestic and foreign films, television and other media. Starting from the exploration of the origin of pop-up books, based on the application case of pop-up books, an art form in non-book media, this paper analyzes its cultural significance and aesthetic value, discusses the internal logic of its realization of cross-media visual construction and the extension and development of its stereoscopic aesthetics, with a view to providing some noteworthy examples for pop-up book research from a new perspective.