没骨山水画的探索与思考

Exploration of and Thoughts on Boneless Landscape Paintings

没骨山水画作为中国传统山水画体系的组成部分,在1000多年的历史发展进程中形成了独特的艺术面貌,出现了很多代表性的画家和作品。有别于以线为主要绘画语言的传统水墨山水形态,没骨山水以一种极富精神内核又外在和谐统一的审美观来抒发画家情感,创立伊始就带有浓厚的个性色彩。因此,在当下全新的文化语境中,可以从图式、色彩、题材以及思想观念上进行多角度的绘画实践和思考,构建没骨山水新的语言体系,从个人化的实践角度重新诠释新的山水意象,探索一条“没骨山水”的新路。

Boneless landscape painting, as an integral part of the traditional formed a unique artistic style in the past more than 1,000years, and witnessed the emergence of many representative artists and artworks. Different from traditional ink landscape paintings with lines as the main form, boneless landscape paintings express artists’ feelings with an aesthetic concept that is rich in spirits and externally harmonious and unified, and thus has been a unique genre since its creation. In the current brand-new cultural context, it is imperative to paint and think from multiple angles-style, color, theme and idea, build a new system, and reinterpret new images from the perspective of personal practice, so as to explore a new path for "boneless landscape paintings".