梵高在中国——20世纪初期梵高在中国的接受

Van Gogh in China:The Acceptance of Van Gogh in China in the Early 20th Century

20世纪20年代的中国报刊杂志上出现了不少介绍梵高的文章,勾勒出梵高在中国的最初形象。本文是关于梵高在中国的形象史和接受史的研究,围绕着与“疯癫天才”有关的话题,通过文献比较、接受美学等方法,考察梵高知识在民国社会传播过程中的承袭和变异;辨识出中国梵高文学与他者梵高文学之间的复杂关系并阐述其形成的历史缘由;从而探讨梵高形象最初是如何被中国知识分子接受、想象和改造的,进而分析梵高在国人对西洋美术的学习和研究过程中所扮演的角色。

Many articles introducing Van Gogh appeared in Chinese newspapers and magazines in the 1920s,outlining his initial image in China.This paper focuses on topics related to the“mad genius”and researches the history of his image and acceptance in China.On the basis of literature comparison,reception aesthetics and other methods,it analyzes the inheritance and variation of Van Gogh-related knowledge in its spreading in the society of the Republic of China,and identifies the complex relationship between Van Gogh-related literature of China and that of other countries and explains historical reasons behind this,thus exploring how the image of Van Gogh was first accepted,imagined and transformed by Chinese intellectuals and analyzing his role in Chinese people learning and researching western art.