中国当代纪实文学与中国现当代文学史重写——以陈廷一的纪实创作为例

Contemporary Chinese Documentary Literature and the Rewriting of Modern and Contemporary Chinese Literary History:A Case Study of Chen Tingyi’s Documentary Creation

陈廷一纪实创作的数量、畅销与影响等位居当代中国作家前列。题材选择的重大与独特,文体形式的多样与创新,人物再现的典型与鲜活,描写方法的生动与通俗,是他传记创作的总体特色与风格内涵。而贯穿其报告创作始终的,是他鲜明的家国大爱、深沉的责任担当与崇高的浩然正气。他之所以没登“大雅之堂”、在文学史上无地位,主要是因我们屈从于西方文化影响下的“纯文学”“话语霸权”等。我们必须坚持“中国立场”“中国价值”和“创新性发展”,正视“纪实时代”的“大文学”现实,重视对陈廷一等纪实大家的研究,从“大国”文化建设的战略高度,更新观念,挑战传统,重构理论,在中国现当代文学史重写中,变纯文学与通俗文学的“雅俗共赏”“双翼齐飞”为纯文学、通俗文学与纪实文学的“虚实互补”“三足鼎立”。

Chen Tingyi ranks in the forefront of contemporary Chinese writers in the the number,popularity and infuence of creations.The great and unique choice of subject matter,the variety and innovation of stylistic forms,the typical and vivid representation of characters,and the vivid and popular description methods are the general characteristics and stylistic connotation of his biography creations.A clear love for the country,heavy responsibility and noble righteousness run through his report creations.The reason why he has no place in literary history is that we succumb to the"pure literature"and"discourse hegemony"under the influence of Western culture.We must adhere to the"Chinese position","Chinese value"and"innovative development",face up to the reality of"big literature"in the"documentary era",attach importance to the study of Chen Tingyi and other documentary masters.From the strategic height of cultural construction by a"great power",we should update ideas,challenge traditions,"reconstruct"theories in"rewriting"modern and contemporary Chinese literary history so as to turn the"common appreciation of the elegance and vulgarity"of pure literature and popular literature to equal focus on the complimentary pure literature,popular literature and documentary literature.