隋唐华严宗般若理想美学探论

On the Ideal Aesthetics of Prajnāof Huayan School in the Sui and Tang Dynasties

中国化佛教宗派华严宗,对中国文化的影响是独特而深远的,体现到美学方面,主要以体系化的理论,建立了一种理想的美学形态。就华严宗的实际存在而言,它列于隋唐中国化佛教各宗理论之中,属于思想体系最为精密庞大之一种,美学蕴涵异常丰富,其理论特色主要聚焦于般若化理想美学,提出“法界缘起”“六相圆融”“十玄门”“五教义”等美学命题,这些对推进中古美学的理论水平和思想意蕴,具有十分重要的理论研究价值。

The Huayan School as a sinicized Buddhism sect has generated unique and far-reaching influence on Chinese culture.As for aesthetics,this influence mainly refers to the establishment of an ideal aesthetic form with a systematic theory.As far as the actual existence of Huayan School is concerned,it is listed among the theories of sinicized Buddhism in the Sui and Tang dynasties,and belongs to one of the most sophisticated major ideological systems,with extremely rich aesthetic implications.Its theory is mainly characterized by the ideal prajnā-like aesthetics,putting forward such aesthetic propositions as"origin of Dhamma-dhatu","six-phase harmony","ten mysterious gates"and"fve doctrines".These have very important theoretical research value in promoting the theoretical level and ideological implication of medieval aesthetics.