克孜尔石窟壁画--基于公共艺术视角“公共性”的研究

Murals in Kizil Grottoes--A Study of"Publicity"from the Perspective of Public Art

石窟壁画由于其存在的场域、政治与意识形态的多元架构赋予了其中国早期公共艺术雏形的特质。本文以公共艺术视角来审视石窟壁画中存在的具有“公共性”特质的绘画范式,从场域、主题、形式、参与行为、社会行为、精神体现、价值构建等多方面来探讨石窟壁画中基于公共艺术视角对其“公共性”研究的挖掘与探讨,一方面能够进一步推动石窟壁画的多角度研究;另一方面又为新时代基于地域文化、具有中国特色的公共艺术创作提供了一个新的设计思路、增添内在的动力机制与识别属性。

Grotto murals are endowed with the characteristics of the embryonic form of early public art in China due to their multiple structures of field,politics and ideology.From the perspective of public art,this article examines the painting paradigm with"publicity"characteristics existing in the grotto murals from the field,theme,form,participation,social behavior,spiritual expression,value construction and other aspects to explore the grotto murals based on the public art perspective of its"public"research excavation and discussion.On the one hand,it can further promote the grotto murals from multiple perspectives;on the other hand,it also provides a new design idea,adds internal dynamic mechanism and identification attributes to public art creation with Chinese characteristics based on regional culture in the new era.