普陀山与明代江南海上诗路——以新见冯舒《浮海集》为中心分析

Putuo Mountain and Jiangnan Maritime Poetic Road in Ming Dynasty——A Case Study of newly-found Feng Shu’s Collected Works on Floating Sea

诗性江南,延伸到海上,就是江南海上诗路。江南海上诗路之最终形成,普陀山是一个非常关键的地理节点,晚明是一个十分重要的时间节点,江南诗人群体是一支不可或缺的创作力量,而冯舒则是江南至普陀山海上香路与海上诗路叠合的代表性人物。普陀山与江南海上诗路是浙江打造诗路文化体系的一个重要议题,也是值得当代读书界推广海上“行走与阅读”的一个文化命题。

The poetic Jiangnan, when extending to the sea, is referred as to the Jiangnan Maritime Poetic Road. As for the final formation of the Jiangnan Maritime Poetic Road, Putuo Mountain is a very critical node in geography, the late Ming Dynasty is a very important node in time and the group of poets in Jiangnan is an indispensable creative force. And Feng Shu was the representative figure to superimpose the Maritime Incense Road and the Maritime Poetic Road from Jiangnan to Putuo Mountain. Putuo Mountain and Jiangnan Maritime Poetic Road are not only an important issue for Zhejiang to create the cultural system of poetic road, but also a cultural proposition worthy of the contemporary academic circle to promote the “Maritime Walking and Reading”.