从电影院到展览馆——具身认知视域下电影作为艺术的一种可能

From the Cinema to the Exhibition Hall——A Possibility of Film as Art from the Perspective of Embodied Cognition

电影院和展览馆为观众的具身认知创造了条件,也提供了电影作为艺术的可能。电影院中的观影体验类似于尼采酒神精神的狂欢,接近于艺术的本质。然而,随着数字技术的发展,影院空间及其具身化的观影体验日渐遭受到冲击。展览馆中电影通过“再媒介化”的实践创造了一种沉浸感与间离感相结合的艺术体验,既有酒神式的自由与欢畅,也有日神式的规则与秩序,但展览馆电影在捕捉大众观影快感方面有所缺憾。当下,电影如何继续通过具身化的观影体验来寻找其作为艺术的可能,无疑面临着新的困境。

Cinema and exhibition hall create conditions for the audiences’embodied cognition and provide the possibility of film as art.The movie watching experience is similar to the carnival of the Dionysian spirit in the Nietzschean sense,which is close to the essence of art.However,with the development of digital technology,the cinema space and its embodied viewing experience are increasingly impacted day by day.Through the practice of“remediation”,the films in the exhibition hall create an artistic experience that combines a sense of immersion and alienation,with both the freedom and joy of the Dionysian style and the rules and order of the Sun God,but the film in the exhibition hall has some shortcomings in capturing the pleasure of the public in watching movies.There is no doubt that it is facing a new dilemma to look for the possibility of seeing moves as an art through a personal experience.