摘要
近年来,随着陶瓷绘画的兴起,青花不仅用于装饰器物,而且因艺术家的介入,且融入个人的情感、性格和修养,青花作为一种既古老且现代的绘画语言也越来越丰富。笔者列举了从20世纪初到现代的4位中国陶瓷艺术家的青花绘画语言的分析。
In recent years,with the rise of ceramic painting,blue and white is not only used as a decorative object,but also as an ancient and contemporary painting language slowly and richer due to the intervention of artists,integrating personal emotions,character and cultivation.This article lists the blue and white painting language of four Chinese ceramic artists from the beginning of the twentieth century to the present.
作者
刘子成
Liu Zicheng(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,333403,China)
出处
《陶瓷》
CAS
2023年第2期26-28,共3页
Ceramics
关键词
青花绘画语言
文人青花
现代民间青花
剔青
青花和诗
Painting language of blue and white
Literati blue and white
Modern folk blue and white
Blue and white cutting
Blue and white with poetry