宋代汝瓷中的“现代主义”启示

Enlightenment of Modernism’in Ruci in Song Dynasty

宋代极简美学和现代主义设计,在形式上都体现了一种简单的几何美。笔者通过对宋代汝瓷的分析,跨越时间和空间,将两场相距近千年的美学风暴联系起来,并以此为突破口,在当代中国陶瓷面临的传统与现代2大命题的交互博弈中寻求一条“和”之道。

Song minimalist aesthetics and modernist design both embody a simple geometric beauty in form.Through the analysis of Ru Ci in Song Dynasty,this essay will link two aesthetic storms which are nearly a thousand years apart across time and space,and take this as a breakthrough to seek a way of"harmony"in the interactive game between traditional and modern propositions faced by contemporary China ceramics.