摘要
《包宝宝》是皮克斯首位华人女动画师石之予编剧执导的一部反映中国式家庭亲情模式的动画短片。作为当代现实题材剧目的典型代表,该剧无论是从故事化的表现内容,还是从多样化的表现手法,都直接揭示了中国式家庭情感表达模式中关于爱无法顺流的本质问题。本文欲从中国式亲子关系命题以及中国式家庭教育问题的当代社会普遍现象出发,对中国式家庭关系模式中关于爱的反思进行阐述,以期引起中国父母对“究竟应该如何去爱孩子”的深刻思考。
Bao is a work of Pixar’s first Chinese female animator,Shi Zhiyu,who wrote and directed an animated short film that reflects the Chinese family model.As a typical representative of the contemporary realistic drama,the drama is characterized by both narrative content and diversified techniques of expression,directly revealing the essence of the problem of the Chinese family emotional expression model,that is,love can not be downstream.From the perspective of the Chinese-style parent-child relationship proposition and the contemporary social phenomenon of the Chinese-style child discipline problem,this article will expound the reflection on love in the chinese-style family relationship model,in order to cause Chinese parents to think about"how to love the child"deeply.
出处
《吉林省教育学院学报》
2022年第12期163-166,共4页
Journal of Jilin Provincial Institute of Education
基金
吉林省教育厅“十三五”社会科学规划项目“提升素养,迈向公平—吉林省城乡学前儿童艺术教育均衡发展策略研究”(JJKH20191038SK)。
关键词
中国式家庭
情感表达
家庭教育
亲子关系
爱
Chinese family
emotional expression
child discipline
parent-child relationship
love
