嘉峪关“雄关、月圆”文化在木质灯具设计中的应用研究

Study on the Application of Jiayuguan“Xiongguan,Full Moon”Culture in the Design of Wooden Lamps

木质灯具发展到当前,已经从传统的美观作用上延伸至当前的思想性与内蕴性,很大程度上,木质灯具的内蕴性主要取决于在设计中阶段的地域文化引入上。在木质灯具设计中进行地域文化的设计,不仅可以突出木质灯具本身的特色、提升其意蕴,还能够赋予木质灯具以人性化的活力,促进木质灯具产品的精准定位。要提升木质灯具设计中的嘉峪关“雄关、月圆”文化应用的能力,要依据当前市场中消费者的需求进行地域文化的创造、构建木质灯具品牌下的地域文化体系,优化突出木质灯具设计中地域文化的要素,同时,对于木质灯具企业而言,还要依托当前的互联网环境,提高对木质灯具中的地域文化线索的宣传能力,以及为木质灯具设计师之间的交流与沟通提供一个便利化的渠道。

The development of wooden lamps and lanterns to the present has been extended from the traditional aesthetic function to the current ideological and connotation.To a large extent,the connotation of wooden lamps and lanterns mainly depends on the introduction of cultural nature in the design stage.The cultural design in the design of wooden lamps and lanterns can not only highlight the characteristics of wooden lamps themselves and enhance their implication,but also give wooden lamps and lanterns with humanized vitality and promote the precise positioning of wooden lamps products.To promote the wooden lamps and lanterns design of Jiayuguan“Xiongguan,Full Moon”culture application ability,according to the consumer demand in the current market for cultural creation,build wooden lamps brand cultural system,optimize the elements of wooden lamps design culture,at the same time,for wooden lamps and lanterns company,but also relying on the current Internet environment,improve the regional cultural clues of wooden lamps propaganda ability,and communication and communication between wooden lamps and lanterns designers to provide a facilitation channel.