摘要
2022年,中国设计持续发展。从高等教育“设计”类学科设置调整可进一步把握设计在人文艺术、科学技术、应用实践维度的构成与趋势,具体在产业策略、技术工具、协作机制、文化观念、审美精神等方面,体现出产业驱动赋能、尖端技术与传统工艺融合、社会广泛协作、生态人文融合共生、本土生活方式与美学精神复兴的鲜明特点,体现了设计力与设计精神的持续建构,也是设计价值不断发展与实现的过程。
In 2022, Chinese design experienced continuous development. The adjustment of the discipline of design in higher education could enable us to better manage the structure and trend of arts and humanities, science and technology, and their practical application. These adjustments also represent the characteristics of industry-driven empowerment, integration of cutting edge technology and traditional craftsmanship, broad collaboration between various social sections, the coexistence of nature and the humanities, and the rejuvenation of Chinese lifestyle and aesthetics in more specific aspects, such as industrial strategy, technological tools, collaborative mechanism, cultural perception, and aesthetics. With these adjustments, the construction of design force and design spirit would develop continuously and the value of Chinese design would be realized.
作者
潘鲁生
殷波
PAN Lusheng;YIN Bo
出处
《中国文艺评论》
2023年第1期37-48,I0001,I0002,共14页
China Literature and Art Criticism
基金
2019年度国家社科基金艺术学重大项目“中华传统造物艺术体系与设计文献研究”(项目批准号:19ZD22)的阶段性成果。
