闽南舞狮傩的艺术特征与文化内涵——以漳州龙文朝阳镇六石社区舞狮艺阵为例

The Artistic Traits and Cultural Connotations of Lion Nuo Dance in Southern Fujian:Taking the Art Array in Liushi Community,Zhangzhou City for Example

闽南地区的“准傩戏”不同于一般意义上的坛内之戏,它更多是让普通民众(半职业性的艺阵队伍)也能参与其中,通过带有群众性祭祀的仪式场域的构建,让声、乐、舞与戏协同发挥驱疫功能。通过漳州龙文朝阳镇六石社区的舞狮艺阵这一生动的典型民俗为例,解析弄狮的艺术特征与傩文化内涵,由此窥见闽台地区民间傩仪艺术形态的历史文化生态。

The“Quasi-Nuo Opera”in southern Fujian,different from the common sacrificial ceremony,allows ordinary people(semi-professional art formation troupes)to participate in it.With the construction of a ceremonial field with mass sacrifice,music,singing,dance and opera play a synergistical role of removing plagues.One of the vivid examples is the art array of lion dance in the Liushi Community,Chaoyang Town,Longwen District,Zhangzhou City.Taking this folk custom as an example,this paper analyzes the artistic characteristics of lion dance and cultural connotations of Nuo,and thus gets a glimpse of the historical and cultural ecology of the art form of folk Nuo ritual in Fujian-Taiwan region.