摘要
自陶瓷诞生伊始,书写性的线条元素便与其有着密切的联系,在围绕原始巫术崇拜或是记录历史的叙事性要求的陶瓷装饰中,书写性的线条元素便随处可见。经历了数千年的发展,书写性线条元素更是成为中国传统美术的重要特征之一,观照至陶瓷装饰,线性元素更是与陶瓷装饰艺术等一道,构成了中国文化思维空间,文化纵深空间,文化语空间。文章通过分析书写性线条元素在陶瓷装饰中的运用,在绘饰方面、艺术语言方面探讨二者的交融以及传统文化如何向当代艺术转化及其重要性。
Since the birth of ceramics, calligraphic line elements have been closely related to them. They can be seen everywhere in ceramic decorations that revolve around primitive wicca or record the narrative requirements of history. After thousands of years of development, line elements of writing have become one of the important features of Traditional Chinese art. Considering ceramic decoration, linear elements, together with ceramic decorative art, constitute Chinese cultural thinking space, cultural depth space and cultural language space. By analyzing the application of writing line elements in ceramic decoration, this paper discusses the integration of the two elements in painting and decoration and art language, as well as the transformation of traditional culture into contemporary art and its importance.
作者
牛靓洲
Niu Liangzhou(Jingdezhen Ceramic University,Jingdezhen,333403)
出处
《陶瓷研究》
2022年第6期44-46,共3页
Ceramic Studies
关键词
陶瓷装饰
书写性线条元素
传统书画
Ceramic decoration
Writing line elements
The traditional painting and calligraphy