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传统造物观在景德镇陶瓷生产制作中的体现

The Representation of Traditional Creation Conception in Jingdezhen Ceramic Production
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摘要 中国的造物艺术始终与人文思想的发展相关联,历代思想家将造物艺术和哲学观念的变化结合在一起,关于造物的思想也在社会生产实践中不断发展和延续,为陶瓷生产制作和其他造物活动提供源源不断的价值参考。本文以中国传统造物观念中的“天时、地气、材美、工巧”、“文质关系”、“观物取象”等思想在景德镇陶瓷生产制作中的体现进行探讨,从中得到这些优秀的传统观念对现代陶瓷产品设计的启示。 The art of creation in China has always been associated with the development of humanistic thought. The thinkers in the past dynasties have combined the art of creation with the change of philosophical concepts. The idea of creation has also been continuously developed and continued in social production practice, providing continuous value reference for ceramic production and other creation activities. In this paper, the traditional Chinese concept of creation:“Favourable Timing,Place,Material and Craftsmanship”, “relationship between form and content”, “taking images by observing things” and other ideas in Jingdezhen ceramic production in the embodiment of the discussion, from which these excellent traditional ideas of modern ceramic product design inspiration.
作者 江婉璐 Jiang Wanlu(Jingdezhen College,Jingdezhen,333000)
机构地区 景德镇学院
出处 《陶瓷研究》 2022年第6期109-110,113,共3页 Ceramic Studies
基金 2021年景德镇学院平台委托项目《景德镇陶瓷生产制作与中国造物观研究》阶段性研究成果,课题编号:JYW2021029。
关键词 传统造物观 制瓷工艺 陶瓷产品设计 Traditional view of creation Ceramic making process Ceramic product design
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  • 1卢斯.装饰与罪恶[C].奚传绩编.设计艺术经典论著选读.南京:东南大学出版社,2002.
  • 2马克思.1844年经济学哲学手稿[M].北京:人民出版社,2000.52.

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