吴昌硕花鸟艺术对青花釉里红创作的影响研究

Study on the Influence of Wu Changshuo’s Flower and Bird Art on the Creation of Blue and White Underglaze Red

吴昌硕为我国海派晚期著名代表画家,同时被称为“海派最后的巨匠”,他的作品在结合“诗书画印”和“篆刻”进行创作,画面呈现具有文人气息的味道。吴昌硕的作品对近当代青花釉里红的创作具有深远的影响,青花釉里红发展至近当代,已经开始采用国画入瓷。因近当代陶瓷艺术家很大一部分创作群体是受过较好的高等教育,力求在陶瓷艺术中表达自身文学修养,不再满足于传统图案式的青花釉里红装饰表现。因此他们在创作陶瓷艺术作品中善于把国画艺术融入到青花釉里红创作中,将吴昌硕的花鸟作品融入其中,因为吴昌硕的花鸟作品具有浓郁的文人气息,也是当代青花釉里红花鸟创作者喜欢借鉴的题材,本文主要探析吴昌硕花鸟艺术对青花釉里红花鸟画创作的影响,进行简略研究。

Wu Changshuo is a famous representative painter of the late Shanghai School in China, and is also known as the last great master of Shanghai School. His works are created by combining "poetry, calligraphy, painting and seal cutting", and the pictures show the flavor of literati. Wu Changshuo’s works have a profound impact on the creation of blue and white underglaze red in modern times. The development of blue and white underglaze red in modern times has begun to use traditional Chinese painting into porcelain. Because a large number of contemporary ceramic artists are highly educated and strive to express their literary accomplishments in ceramic art, and are no longer satisfied with the traditional blue and white underglaze red decoration, they are good at integrating Chinese painting art into the blue and white underglaze red creation in ceramic art works, and integrating Wu Changshuo’s flower and bird works, because Wu Changshuo’s flower and bird works have a strong literati atmosphere, It is also a subject that contemporary blue and white underglaze red flower and bird creators like to use for reference. This paper mainly analyzes the influence of Wu Changshuo’s flower and bird art on the creation of blue and white underglaze red flower and bird painting, and makes a brief study.