花鸟题材自然生态理念的历史发展研究——以陶瓷粉彩装饰为例

A Study on the Historical Development of the Natural Ecological Concept of Flowers and Birds——A Case Study of Ceramic Pastel Decoration

粉彩装饰花鸟画题材包含着极其丰富的自然生态理念,其发展时期可以划分为几个阶段。一是清代民国时期的粉彩花鸟瓷画,其显著的自然生态理念是以农耕文化为特征;二是建国初期的粉彩瓷画,其主要的生态理念是以政治为主导的特征;三则是新时期粉彩花鸟瓷画,其主要的生态理念则是以多元并存作为主要的主导特征。各个时期都具有显著的特征,以下详细分析。

The theme of pastel decorative flower and bird painting contains extremely rich natural ecological ideas, and its development period can be divided into several stages. One is the famille rose flower and bird porcelain painting in the Qing Dynasty and the Republic of China, whose remarkable natural ecological concept is characterized by agricultural culture;The second is the famille rose porcelain painting in the early days of the founding of the People’s Republic of China, whose main ecological concept is political oriented;The third is the pastel flower and bird porcelain painting in the new era, whose main ecological concept is the coexistence of pluralism as the main leading feature. Each period has significant characteristics, which are analyzed in detail below.