景德镇青花瓷艺术的发展——以青花花鸟画为例

The Development of Jingdezhen Blue and White Porcelain Art——Take Blue and White Flower and Bird Painting as an Example

青花瓷从我国元朝开始相对完整的烧制成功后就不断地发展,历经了元明清至当代,仍然在不断发展,每个时期都有各自的装饰特点。就拿花鸟画来说,在不同的时期,装饰特点和风格也不一样。而说起青花花鸟和国画花鸟在装饰上有相同和不同之处,则要从清末民国初时开始。在清之前,也就是元明清时期,青花花鸟的装饰和国画花鸟完全是不同的表现方式,而自民国后开始,逐渐将国画的花鸟艺术融到青花花鸟装饰之中,自此青花花鸟和国画花鸟开始有相同之处,但在相同的同时也有不同之处。本文主要论述青花花鸟和国画花鸟的异同之处,主要从近当代的对比和未来青花瓷和国画花鸟在发展中的异同研究。

Blue and white porcelain has been developing since the Yuan Dynasty, when it was relatively completed and successfully fired. It has continued to develop from the Yuan, Ming and Qing Dynasties to the contemporary era, and each period has its own decorative characteristics. Take flower and bird painting for example. In different periods, the decorative characteristics and styles are different. When it comes to the similarities and differences between blue and white flowers and birds and traditional Chinese painting flowers and birds in decoration, it starts from the end of the Qing Dynasty and the beginning of the Republic of China. Before the Qing Dynasty, that is, the Yuan, Ming and Qing Dynasties, the decoration of blue and white flowers and birds was completely different from the traditional Chinese painting. Since the Republic of China, the flower and bird art of traditional Chinese painting has been gradually integrated into the blue and white flower and bird decoration. Since then, blue and white flowers and birds and traditional Chinese painting flowers and birds began to have similarities, but there are also differences in the same. This article mainly discusses the similarities and differences between blue and white flower and bird and traditional Chinese painting flower and bird, mainly from the comparison of recent and contemporary times and the similarities and differences in the development of future blue and white porcelain and traditional Chinese painting flower and bird.