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探析陶瓷艺术中飞禽走兽的艺术特点与象征意义

On the Artistic Characteristics and Symbolic Significance of Birds and Animals in Ceramics
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摘要 走兽一直以来是我国艺术发展中的重要题材,从我国艺术的出现到当下都有走兽的题材的身影。岩画中的猎人追逐走兽、青铜中的饕餮纹众多也是采用变形抽象的虎豹,敦煌壁画中文殊菩萨和地藏王等菩萨的坐具也是狮子和大象等瑞兽、元青花中蝙蝠的形象随处可见。各类艺术中飞禽走兽多见不怪,可想而知飞禽走兽的艺术别具特色,象征意义也是口口相传,本文主要从陶瓷中的飞禽走兽分析其艺术特征与象征意义两个角度探析。 Animals have always been an important theme in the development of Chinese art.From the appearance of Chinese art to the present,there are animals.The hunters chasing animals in the rock paintings and the gluttonous patterns in the bronze are also used to abstract the deformation of the tiger and leopard,the Chinese special Bodhisattva in Dunhuang murals and the earth Tibetan king,and the images of auspicious animals such as lions and elephants,and bats in the blue and white flowers of the yuan Dynasty can be seen everywhere.It is not surprising that birds and animals are common in all kinds of art.It can be imagined that the art of birds and animals is unique,and the symbolic meaning is also passed on from mouth to mouth.This paper mainly analyzes the artistic characteristics and symbolic significance of birds and animals in ceramics.
作者 刘文华 Liu Wenhua(Juan Huai Tang,Jingdezhen,333000)
机构地区 卷怀堂
出处 《陶瓷研究》 2022年第5期120-122,共3页 Ceramic Studies
关键词 陶瓷 唐三彩 飞禽走兽 艺术特征 Ceramics Trio-colored glazed pottery of the Tang Dynasty Birds and animals Artistic characteristics
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