浅析国画山水程式化法则在陶瓷绘画上的运用

The Application of the Stylized Principles of Chinese Painting in Ceramic Painting

传统国画山水有着独特的形式特征,在历史长河中逐渐衍变成统一化、完整化的文化系统和程式化法则。国画中的山水画由早期的图式发展成程式化,这种程式化对于任何一个古代画家而言都是一种惯例使然,如若不传承这一套特有的程式法则而只盲目追求创新,则会失去山水画作作为一门独立画科的稳定性,山水画独特的民族文化特性也会随之中断,失去文化根基和底蕴。陶瓷山水绘画虽与传统国画山水绘画在材质上有着本质的不同,但究其根源与绘画艺术展现同样需要基于传统国画山水绘画的程式法则并融合运用。现当代陶瓷山水绘画依然以国画山水绘画形式为主体。因此,深入研究山水画的程式化运用成为陶瓷山水绘画创作中尤为重要的环节。

Traditional Chinese painting landscape has a unique form of features,in the history of the river gradually evolved into a unified,integrated cultural system and the formula of the law.The landscape painting in traditional Chinese painting developed from an early pattern into a formula,which was a kind of convention for any ancient painter.If he did not inherit this special formula and only blindly pursue innovation,it will lose the stability of landscape painting as an independent subject,the unique national cultural characteristics of landscape painting will also be interrupted,the loss of Cultural Foundation and heritage.Ceramic landscape painting is different from traditional Chinese landscape painting in material,but its origin and the art of painting also need to be based on the traditional Chinese landscape painting formula and the use of integration.The modern and contemporary ceramic landscape painting still takes the traditional Chinese painting landscape painting form as the main body.Therefore,the in-depth study of the use of the formula of ceramic landscape painting is a particularly important link in the creation of landscape painting.