摘要
针对近期有学者著文就新发现的原中央博物院(今南京博物院)总地盘图进行分析解读,并推测梁思成、刘敦桢筹划参与了此方案设计,认为设计者对“着意我国固有建筑之美德而开始以中国建筑之部分应用于近代建筑”有更全面的思考等观点,提出商榷,通过对博物院用地变迁历史、总地盘图解读和建筑文化建构3个方面进行梳理剖析,提出与前文不同的观点,力图揭示博物院的前世今生,并展现几代人对文化传承与创新的不懈努力。
Recently,some schola rs wrote an article to analyze and interpret the newly discovered general site map of the Central Museum(today’s Nanjing Museum),speculating that Liang Sicheng and Liu Dunzhen participated in the planning and design of this scheme.They believed that the designers had a more comprehensive thinking about"paying attention to the inherent architectu ral virtues of our country and starting to apply part of Chinese classic architecture to modern architecture".In view of such statements,this paper sorts out and analyzes the Museum in three regards:the history of site changes,the interpretation of the general site map and the construction of architectural culture,to propose different views from the said article.It tries to reveal the past and present statuses of the museum,and demonstrates the unremitting efforts of generations in cultural inheritance and innovation to discuss with the said article.
出处
《建筑学报》
CSSCI
北大核心
2023年第1期116-121,共6页
Architectural Journal
关键词
南京博物院
用地变迁
总地盘图
文化建构
njing Museum
site change
general site map
cultural construction