摘要
我国科幻小说面临的困境,在于其价值未能被全面发掘。就审美向度而言,科幻小说依托作者对于现实世界的折射想象,以其陌生化认知结构的特点来暴露异化关系。它的结构以“零度世界”为认知基础,其精神最终指向“乡愁乌托邦”。而科幻小说的审美现代性表征,其反思精神与对美好生活的向往,正是其美学意蕴的现实意义所在。
Chinese science fiction’s dilemma lies in its unexamined value. In terms of the aesthetic dimension, science fiction relies on the author’s refractive imagination of the real world as a cognitive structure of defamiliarization to emphasize and expose the relationship of alienation. Based on the cognition of “zero world”, its spirit ultimately points to the “nostalgia utopia”. As a symbol of aesthetic modernity, science fiction reflects the spirit of reflection and yearning for a better life, which is the realistic significance of its aesthetic implication.
作者
吴亮银
WU Liangyin(School of Chinese Language and Literature,Yunnan University,Kunming,Yunnan 650091,China)
出处
《中州大学学报》
2022年第6期11-16,共6页
Journal of Zhongzhou University
基金
云南大学2021年度推免研究生科研创新项目(2021T118)
云南大学研究生科研创新项目人文社科类重点项目“晚清科幻小说与审美治理研究”(KC-22221069)。
关键词
科幻小说
陌生化认知
零度世界
乡愁乌托邦
审美现代性
Science fiction
defamiliarization cognition
zero world
nostalgia utopia
aesthetic modernity