摘要
17-18世纪是现代风景园林学科核心研究对象LANDSCAPE的风景概念形成与实践的关键时期。本文首先从词源学角度阐释LANDSCAPE的本源含义;然后通过详细分析风景画独立背景、理论方法、特点与辅助工具等内容,阐释其发展引起风景发现的原因与机制,此社会现实反馈至语言方面的表现是,LANDSCAPE在本源含义的基础上引入荷兰风景及其绘画含义转变为完整的风景含义;最后阐释风景画对自然式风景造园的指导作用机制,并且提出风景画、风景与土地实践之间的桥梁是基于自然之数的理性美学。
17th-18th centuries are the critical period of landscape concept formation and practice of the LANDSCAPE,the core research object of modern landscape architecture.This paper first explained the original meaning of LANDSCAPE from the perspective of etymology.Then,it explained the reasons and mechanisms of landscape discovery through a detailed analysis of the independent background,theoretical methods,characteristics and auxiliary tools of landscape painting.The performance of this social reality feedback to language is that LANDSCAPE introduces Dutch landscape and its painting meaning on the basis of the original meaning and transforms it into a complete landscape meaning.Finally,it explained the guiding mechanism of landscape painting for landscape gardening,and proposed that the bridge between landscape painting,landscape and land practice is rational aesthetics based on natural numbers.
作者
王吉伟
朱建宁
Wang Jiwei;Zhu Jianning
出处
《古建园林技术》
2023年第1期124-128,共5页
Traditional Chinese Architecture and Gardens
