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跨媒介写作与新世纪长篇小说的艺术境界 被引量:1

Cross-media writing and the artistic realm of new century novels
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摘要 新世纪中国长篇小说表现出鲜明的跨媒介特征。作家借鉴绘画艺术构造了“万象在旁”和“有色之画”的境界,通过声音描摹构造了“群籁参差”和“无声之乐”的境界,通过镶嵌诗词曲赋达成“温故知新”和“诗骚之境”。由于绘画、音乐和诗词曲赋都有浓烈的抒情特征,小说中的画面、声音和诗词曲赋既能加强小说的叙事作用,又能增强小说的抒情效果。新世纪长篇小说是统摄绘画、声音和诗词曲赋的艺术整体。在长篇小说中融入绘画、音乐和诗词曲赋的技术和艺术,不仅体现了新世纪中国作家努力与世界文学对话的攀登精神,也表现了新世纪中国作家对中华优秀传统文化进行创造性转化、创新性发展的探索精神。 Chinese novels in the new century show distinctive cross-media characteristics. In the new century,Chinese writers learned from the art of painting to construct the realm of “everything is around”and“colored painting”,constructed the realm of“different sounds”and“silent music”through sound description,and constructed the realm of“reviewing the old and learning the new”and “poetic beauty”through inlaying poetry. Because painting,music and poetry all have strong lyric characteristics,the picture,sound and poetry in the new century novels can not only strengthen the narrative role of the novel,but also enhance the lyric effect of the novel. The novel of the new century is an artistic whole that dominates painting,sound and poetry. Chinese writers in the new century integrate painting,music and poetry into their novels,that not only shows the climbing spirit of Chinese writers in the new century who strive to dialogue with the world literature,but also shows the exploration spirit of Chinese writers in the new century who creatively transform and develop Chinese excellent traditional culture.
作者 颜水生 Yan Shuisheng
机构地区 扬州大学文学院
出处 《东岳论丛》 北大核心 2023年第1期98-104,192,共8页 DongYue Tribune
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