古代城市音乐研究范式的思考——话语生成、历史性建构与空间问题

The Research Mode of Ancient Urban Music:Discourse Generation,Historical Construction and Space Issue

以往的城市音乐研究,聚焦于近现代中国城市社会中的音乐现象和问题,其研究思路不同程度地是以西方“他者”在场的视角,叙述近现代中国音乐在西乐东渐背景下变动的轨迹,进而概括其演变特征与意义。因此,尽管其叙事线索是历时性的,但是其方法论取向却是共时性的、比较性的。通过对古代城市音乐研究话语的经典性生成、城市音乐研究的历史性建构和空间差异性的分析,从宏观的层面指出当下古代城市音乐文化研究在视角、资料、理论和方法上的缺失与未来可能,以期为探讨历史时期中国城市音乐的丰富性、复杂性提供新的思路。

The studies on urban music used to focus on musical phenomena and problems of modern China cities.They usually take the“other”perspective of the west and expound on the changing path of modern China music under influences of the west,then outline its characteristics and meanings in evolution.So although the narration clue is diachronic,the approach tends to be synchronic and comparative.Based on the analyses of discourse generation,historical construction and space diversities concerning ancient urban music studies,the article points out the current studies of ancient urban music culture is deficient in perspective,document,theory and approach,and shows the possibilities for the future.