论20世纪50—60年代民族化思潮下的中国钢琴赋格曲创作

Research on the Composition of Chinese Piano Fugues under the Ideological Trend of Nationalization in the 1950s and 1960s

20世纪50—60年代,音乐民族化思潮对中国的钢琴赋格曲创作产生了重要影响。陈铭志、罗忠镕、饶余燕等作曲家们在该时期运用民族性的主题材料、民族化的复调技法和五声性的民族调式创作了一批经典的钢琴赋格曲。这些作品作为音乐民族化思潮下的成果,有力地推动了中国复调音乐的发展。

In the 1950s and 1960s of the 20th century, the trend of music nationalization had an important impact on the composition of Chinese piano fugues. During this period, Chen Mingzhi, Luo Zhongrong, Rao Yuyan and other composers composed a number of classical piano fugues by using national thematic materials, national polyphonic techniques and pentatonic national modes. As gains of the trend of music nationalization, these works have effectively promoted the development of Chinese polyphonic music.