“立象尽意”之“图解·营造”——以乐华汉王宫入口及汉茂陵石刻廊房建筑设计为例

“Illustration and Construction”by“Setting up an Image to Express Meanings”——A case study of the architecture design of the entrance of Han Lehua Palace and the Gallery of Carved Stones in Han Maoling Mausoleum

我国具有传统风貌保护与展示的区域,由于视觉信息传递的直观性导致其内建筑的“立象”尤为重要,而对于其间的建筑除了立象外,更重要的是物尽其意,所以这类建筑往往是这个区域的重要标志物。以具有汉文化风貌的两例建筑设计思维过程为例,解读运用图解、释文的方法收集并分析汉代历史文献和已有研究成果,以及出土文物等图像资料信息,进行“立象以尽意”的设计过程比较,得出“立象尽意”中的“象”和“意”都是所在区域蕴含的历史文化内涵和环境特征协调的产物。所以运用“立象尽意”的设计思维,能够更有效、更准确地传递所在区域的历史文化内涵,是尊重我国传统文化特质的表现途径。

In the area with the protection and exhibit of traditional features in China,it is particularly essential for the architecture in the area to“set up an image”due to the intuition conveyed by visual information.Beyond that,it is also important for the architecture to express what they are.Therefore,this architecture normally becomes a crucial symbol of the area.Collecting and analyzing the historical documents of Han Dynasty,the existing research results,the unearthed cultural relics and other image information as well,this paper studied the design thinking process of these two architectures of Han cultural style by using the methods of image illustration and text interpretation.With the comparison of the design processes of“setting up an image to express meanings”,it can be seen that the“image”and“meanings”in the conception are all coordination of the historical and cultural connotation and the environmental features in the region.Consequently,the design thinking of“setting up an image to express meanings”can convey more effectively and accurately the historical and cultural connotation of the region,which is the way to hold in esteem the characteristics of Chinese traditional culture.