浅析西方绘画中色彩的写实性消退与主观性诞生——以纳比画派与皮耶尔•博纳尔为例

An Analysis of the Fading Realism and Budding Subjectivity of Colour in Western Painting——The Nabis and Pierre Bonnard as Examples

在群星闪耀的艺术史上,作为活跃在世纪之交的画家皮耶尔•博纳尔(Pierre Bonnard,1867-1947)并不算是一个发着令人生畏的光芒的名字,但他在艺术史上却有着不容小觑的影响。处于法国世纪之交的博纳尔在精确的现实主义与脱离现实世界的抽象主义之间找到了微妙的平衡。随着艺术史的发展,艺术家们对非再现因素的重视不断增长。文章把在艺术发展过程中艺术家们有意识选取非再现性的色彩用于绘画作品上的一刻定义为现代性的诞生。以博纳尔为代表,创作富有装饰意味的作品的法国世纪末艺术家们并没有放弃对现实世界的取材,却创作出精美绝伦的色彩乌托邦。本文将以——在印象派之后——纳比画派和博纳尔的作品为例,探究西方近现代艺术史中画家对色彩的使用变化发展的过程。

ion from the real world.In the development of western modern art,artists have increasingly focused on non-representational elements.The article defines the moment in the development of art when artists consciously selected non-representational colours for use in their paintings as the birth of modernity.The French artists of the end of the century,represented by Bonnard,who produced decorative works,did not abandon the real world,but created an exquisite utopia of colour.This essay will use-after the Impressionists-the works of the Nabis and Bonnard as examples to explore the evolution of painters'use of colour in the history of western modern art.