历史类展览叙事中的文化视域多维拓展:以“明良千古——刘备与诸葛亮君臣合展”为例

Cultural Perspectives on Historical Narrative Exhibitions:An Analysis of the Exhibition "Wise Emperor and Virtuous Official——Liu Bei and Zhuge Liang"

近年来,叙事学理论体系不断发展完善,跨学科的方法与视角也更多地被引入叙事之中。博物馆陈列展览为叙事理论的更新和拓展提供了广阔空间。成都武侯祠博物馆基本陈列“明良千古—刘备与诸葛亮君臣合展”于2021年10月1日开幕,展览汇集6家文博单位的200余件(套)精品文物,力图勾勒一个英雄辈出、逆流而上的时代和刘备、诸葛亮两位历史文化名人的交汇轨迹与旷世传奇,打造一个“让历史建筑遗址重生的展览”。文章通过“叙事的转向”“沉浸的场域”“传播的共置”几大板块,阐释展览策划中所使用的策展理论与设计思路,展现历史类展览叙事中的文化视域多维拓展。

As the theoretical system of Narratology has been improved in recent years,inter-disciplinary methods and perspectives have been increasingly employed to interpret narrative phenomena.Accordingly,museum exhibitions have provided a platform to update and expand narratological theories. "Wise Emperor and Virtuous Official——Liu Bei and Zhuge Liang," an exhibition held by the Chengdu Wuhou Shrine Museum that debuted on October 1st,2021,was aimed at presenting the legends of Liu Bei and Zhuge Liang and the heroic historical period in which they lived.Containing over 200 pieces/sets of fine cultural relics from six museums,this exhibition was meant to "revive the historical buildings." This paper introduces the theories and design ideas of planning exhibitions to show the multiple expansions in cultural perspectives on narratives of historical exhibitions through analysis of "Switching Narratives," "Immersive Scenes," and "Exhibition-Museum Communication."