涉陶篆刻图像的缘起、发展与文化意蕴

The Origin, Development and Cultural Implication of Tao-related Seal-cutting Images

中国古代篆刻艺术中存有数量可观、内容丰富、艺术成就斐然的涉陶“篆刻图像”,值得跨界论陶者关注。涉陶篆刻图像缘起于文人篆刻,主要见于明清文人及书画、篆刻艺术家的闲章艺术。涉陶篆刻图像的发展揭示了历代文人的慕陶情结与隐逸情怀,历代刻陶艺术具有历史、文学、艺术等多方面的文化意蕴,都有待深入研讨。

There exist in ancient China seal-cutting art a large number of “seal-cutting images” related to Tao Yuanming, which are rich in contents and great in artistic achievements, and deserves the attention of the cross-discipline researchers of Tao Yuanming. The Tao-related seal-cutting images originated from the literati seal-cutting practice, and mainly exited in the unofficial personal seal art of the literati,calligraphers and painters, and seal-cutting artists in the Ming and Qing dynasties. The development of Tao-related seal-cutting images revealed the Tao Yuanming complex and hermit spirit of the literati throughout the dynasties. The art of Tao-related seal-cutting art in the past dynasties contains multiple cultural implications in terms of history, literature, art and many other aspects, which calls for further study.